Sabtu, 05 Juni 2010

Borobudur, the Biggest Buddhist Temple in the 9th century




Who does not know Borobudur? This Buddhist temple has 1460 relief panels and 504 Buddha effigies in the complex. Millions of people longing to visit the building which is included in this World Wonder Heritages. Not surprisingly, since architecturally and functionally, as a place of prayer, Borobudur is attractive.

Borobudur was built by King Samaratungga, one of the kings of Old Mataram Kingdom, the descendant of Wangsa Syailendra. Based Kayumwungan inscription, an Indonesian named Hudaya Kandahjaya revealed that Borobudur is a place of worship which was completed May 26 824, nearly a hundred years since the early days was built. The name of Borobudur itself according to some people means a mountain having terraces (budhara), while the other says that Borobudur means monastery on the high places.

Berundak punden Borobudur-shaped building consists of 10 levels. Height of 42 meters before being renovated and 34.5 meters after the renovation because the lowest level was used as a brace. Six lowest level and square on the upper three floors and a circular highest level of Buddhist stupa facing to the west. Each terrace symbolizes the stages of human life. In accordance madhhabs Mahayana Buddhism, anyone who wants to reach a level as Buddha through every level must be that life.

The base of Borobudur, called Kamadhatu, symbolizing human beings that are still bound by lust. Four levels mentioned above represents Rupadhatu humans who have set themselves free from lust but still tied to appearance and shape. At these levels, a statue of Buddha placed in the open. Meanwhile, three levels above where the Buddhist stupa placed in the hole-hole called Arupadhatu, symbolizing human beings that have been freed from lust, appearance, and shape. The top part is called Arupa symbolizes nirvana, where Buddha is residing.

Each terrace has beautiful reliefs that show how skillful. Relief will be read by coherently when you walk clockwise (toward the left of the entrance of the temple). The relief panels tell the legendary story of Ramayana. In addition, there are relief panels describing the condition of society at that time. For example, relief of farmers' activity reflecting the advance of agriculture system and relief of sailing boat representing the advance of the time the cruise was centered in Bergotta .

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